Tag Archives: monster

Melusine

As told to me by Sarah Constantin, the story of Melusine:

A lady is cursed by a bad fairy to turn into a loathsome serpent every Saturday. She meets a man, and they fall in love, and she says, "you can marry me, but don't visit me on Saturday, no matter what."

He responds, "Sure, sure, anything," and leaves her alone on Saturdays.

But his friends rag him about this. "What's up with your wife, what is she UP to on Saturdays?"

So he sneaks into her bathroom one Saturday and sees a giant snake in the bathtub, and runs away in disgust and abandons her.

Moral of the story: nobody can actually handle the snake. Nobody can be allowed to see the snake.

Of course that has to be the primary form of the story that is told, because it is a direct version of this basic fear, that if we are known, we will be reviled. But like Kierkegaard, I see other stories to unfold out of this one, that we might better comprehend its nature.
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Werewolf feelings

An Euremembered Story

One of the students at a magical school is a werewolf. Every full moon, he transforms into a dangerous monster that attacks anyone around him. He sneaks out once a month to undergo this painful and terrifying involuntary transformation in secret, because he doesn't want to hurt anyone. But he is terribly lonely.

He has friends, but they don't know that he is a werewolf. He wishes they would come with him and help him through his terrible night, but it would be dangerous to them. It's not something he can ask of them. It's okay to be lonely and hurting. It's not okay to injure your friends.

Can he simply tell them his secret and let them make the choice? That would be wrong too. If it were guaranteed to fail at obtaining help, it would just make his friends feel selfish and guilty about abandoning him in his night of pain. If it were guaranteed to succeed, then it's coercing his friends into doing something dangerous for them, that may not be worth the good it does for him. And if two options are immoral, a coin flip between them is also immoral.

Can he hint at it? Can he let people see him going out off the school grounds, away from people, to lock himself into a hidden shack for his transformation? No, for the same reason. If telling people is immoral, so is giving them evidence.

So he keeps his secret. He actively keeps his secret. Every full moon, he prominently goes to the school healer's office, and sneaks out the window. If someone asks, he was sick.

And a few other students wonder why their friend gets disappears from the dormitory one night every month. Then they wonder why he gets sick every month. He won't tell them. He won't even hint at it. He gets angry and tells them to mind their own business.

So they do what a true friend does:

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